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From 2007 to 2017, a small, Los Angeles-based magazine called make/shift published some of the most inspiring feminist writers of the decade, articulating ideas from the grassroots and amplifying feminist voices on immigration, state violence, climate change, and other issues.
These writings contributed to the long and rich traditions of women-of-color-centered feminisms, which acknowledge all systems of power as connected, and understand that ending one form of violence demands the transformation of society on multiple fronts.
Feminisms in Motion highlights ten years of intersectional feminist thought and action, featuring authors like Alexis Pauline Gumbs, adrienne maree brown, and Mattilda Bernstein Sycamore, among many others.
Paperback. 285 Pages.
“This wide-ranging collection of extraordinary writings—drawn from a decade of the important work of make/shift magazine to document feminist cultures and organizing strategies—offers a snapshot of ten years of incisive political and cultural analysis centering the work of women of color artists and activists. In the contemporary political moment, when there is such urgency to act, these writers insist that we consistently critique our analyses and approaches, and remind us how vitally important explicitly intersectional, multi-issue organizing strategies are to the success of our movements. Feminisms in Motion provides both a historical record of significant antiracist feminist interventions and a roadmap for moving us in the direction of freedom and justice.” —Angela Y. Davis
“Women of color have been at the center and forefront of some of the most urgent political struggles for freedom in the United States. They have pioneered, through practice and theory, models of collective, intersectional feminism that have demanded more radical and more just ways of living, being, and acting. Feminisms in Motion is a welcome and urgent anthology that foregrounds the exciting and compelling work of these activists and writers.” —Viet Thanh Nguyen, Pulitzer Prize-winning author of The Sympathizer
Jessica Hoffmann is a writer, editor, and museum administrator whose writings have appeared in publications like Bitch, ColorLines, and SFAQ.
Daria Yudacufski is the executive director of Visions and Voices: The Arts and Humanities Initiative at the University of Southern California.
New from Faith G. Harper, Ph.D, author of UnF*ck Your Brain, comes UnF*ck Your Intimacy: Using Science for Better Relationships, Sex, and Dating.
Use this book to help you explore your relationships and sexuality, with yourself and with others. With science and humor, Dr. Faith demystifies topics such as consent, shame, kink, orientation, and trauma recovery.
For more tools, try the UnF*ck Your Intimacy Workbook.
In this modern fairy tale, a noble prince and a brave knight come together to defeat a terrible monster and in the process find true love in a most unexpected place.
The digital illustrations are rich in color and depth. This is an illuminating fairy tale for young readers to be able to see that not every prince would like to marry a princess.
Although this workbook was originally the companion to UnF*ck Your Intimacy, the tools in this workbook can also stand alone to help you gain deeper understanding of your intimacy needs with yourself or others.
Full of questionaires, self-reflection prompts, and exercises, this insightful, helpful workbook is sure to help you UnF*ck Your Intimacy. By Faith G. Harper, Ph.D.
This zine is your antidote to typical sex, dating, and relationship rules. Dr. Faith cuts through the crap with sharp guidelines on how to be a human being in an adult, loving, intimate relationship.
None of that “wait three days before you return their call” BS—it’s all about trusting your gut, communicating your needs and wants, and hearing and respecting theirs.
How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life?
Author and editor adrienne maree brown finds the answer in something she calls “pleasure activism,” a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work.
Drawing on the black feminist tradition, she challenges us to rethink the ground rules of activism. Her mindset-altering essays are interwoven with conversations and insights from other feminist thinkers, including Audre Lorde, Joan Morgan, Cara Page, Sonya Renee Taylor, and Alexis Pauline Gumbs.
Together they cover a wide array of subjects—from sex work to climate change, from race and gender to sex and drugs—building new narratives about how politics can feel good and how what feels good always has a complex politics of its own.
How can we heal from trauma? How can we support the survivors in our lives? How can we build relationships in an ethical way? This book may not offer all the answers, but it opens up discussions and offers a good place to start.
Learning Good Consent is a collection of multiple works by multiple authors on the topic of support for survivors of trauma, collected and edited by Cindy Crabb.
Witch, Slut, Feminist: these contested identities are informing millennial women as they counter a tortuous history of misogyny with empowerment.
This innovative primer highlights sexual liberation as it traces the lineage of “witch feminism” through art, film, music, fashion, literature, technology, religion, pop culture, and politics.
Juxtaposing scholarly research on the demonization of women and female sexuality that has continued since the witch hunts of the early modern era with pop occulture analyses and interviews with activists, artists, scholars, and practitioners of witchcraft, this book addresses and illuminates contemporary conversations about reproductive rights, sexual pleasure, queer identity, pornography, sex work, and more.
Author Kristen J. Sollee elucidates the ways in which women have been persecuted for their perceived connection with witchcraft, and how they have fought back, harnessing the legacy of the witch for revolutionary means.
Consent is not the absence of ‘NO’, it is an enthusiastic YES!
While seemingly straightforward, Tia and Bryony hadn’t considered this subject too seriously until it comes up in conversation with their friends and they realise just how important it is.
Following the sexual assault of a classmate, a group of teenage girls find themselves discussing the term consent, what it actually means for them in their current relationships, and how they act and make decisions with peer influence. Joined by their male friends who offer another perspective, this rich graphic novel uncovers the need for more informed conversations with young people around consent and healthy relationships.
Accompanying the graphics are sexual health resources for students and teachers, which make this a perfect tool for broaching the subject with teens.
A powerful study of the women’s liberation movement in the U.S., from abolitionist days to the present, that demonstrates how it has always been hampered by the racist and classist biases of its leaders. From the widely revered and legendary political activist and scholar Angela Davis.
Longtime activist, author and political figure Angela Davis brings us this expose of the women’s movement in the context of the fight for civil rights and working class issues. She uncovers a side of the fight for suffrage many of us have not heard: the intimate tie between the anti-slavery campaign and the struggle for women’s suffrage. She shows how the racist and classist bias of some in the women’s movement have divided its own membership.
Davis’ message is clear: If we ever want equality, we’re gonna have to fight for it together.
Campus Sex, Campus Security is Jennifer Doyle’s clear-eyed critique of collegiate jurisprudence, in the era of campus corporatization, “less-lethal” weaponry, ubiquitous rape discourse, and litigious anxiety.
Today’s university administrator rides a wave of institutional insecurity, as the process of administering student protests and sexual-assault complaints rolls along a Möbius strip of shifting legality. One thing (a crime) flips into another (a violation) and back again.
On campus, the criminal and civil converge, usually in the form of a hearing that mimics the rituals of a military court, with its secret committees and secret reports, and its sanctions and appeals.
What is the university campus in this world? Who is it for? What sort of psychic space does it simultaneously produce and police? What is it that we want, really, when we call campus security?